我癡迷于金屬材料，非常享受與金屬磨合的過(guò)程，并樂(lè)于探索金屬的可能性。生活總會(huì)給我提供許多靈感，《癮》系列源于我對(duì)人們?nèi)粘Ｊ褂秒娮赢a(chǎn)品習(xí)慣的觀察。我將莫爾紋等視錯(cuò)覺(jué)元素融入到我的作品中，并于人們使用電子設(shè)備動(dòng)作習(xí)慣結(jié)合。隨著拇指滑動(dòng)，戒指晃動(dòng)所產(chǎn)生的視覺(jué)不適感讓佩戴者在這個(gè)過(guò)程中反思對(duì)手機(jī)的過(guò)度依賴。

《媒介》創(chuàng)作于疫情隔離期間，窗戶成為我與外界溝通的唯一通道，窗外的風(fēng)景喚起了疫情之前的生活點(diǎn)滴。作品中變形的建筑結(jié)構(gòu)層疊之下露出彩色的天空，表現(xiàn)了行為受限的我對(duì)外界和自由生活的渴望。

I am obsessed with metal materials and enjoy the process of working with metal to explore its possibilities. Life has always provided me with many inspirations, and the Addiction series was born from my observation of people's daily use of electronic devices. I incorporate optical illusions such as moiré patterns into my work. The visual discomfort occurred when the ring shook while the wearer swipes the screen with their thumb. This interaction allows the wearer to reflect on their over-reliance on cell phones.

“Media” is a collection of brooches created during quarantine. The window became the only channel for me to approach the outside world. The scenery outside the window evokes my memory of the life before the epidemic. In my work, the colourful sky was hidden by the distorted architectural structure which expresses my feeling of being restricted and my desire for the freedom